AA2A 'PLUS' - Back into the Art Gallery stores

I've been thinking a little about my first visit to the ceramic stores at the end of November. I was really drawn to the Thomas Toft piece which I mentioned in a previous blog post, this got me researching more work by and the history of Thomas Toft and his contemporaries. Of this style I particularly like the slipware chargers. I seem to be heavily drawn to the charger form at the moment... it's like a ceramic blank canvas waiting to be tackled with various decorative techniques. With this in mind when I had my second visit to the York Art Gallery's ceramic stores on Monday I was keen to unearth a selection of chargers and plates. I was interested to find out of they had any majolica or Delftware plates. I was in for a treat as I dug around in the mass of plate boxes and pulled out some of these inspiring chargers...

YORYM:2000.2674 - Delftware Charger, King William III on Horseback

YORYM:2000.3336 - Slipware Charger, Virgin Mary

YORYM:2000.2672 - Delftware Charger, Queen Anne

YORYM:2004.11968 - Kiity Shepherd, 1997

YMT.ED4071.6

YORYM:2000.2677 - Delftware charger, Adam & Eve

I've just searched google for 'English delftware chargers', this interesting quote has come up on Wikipedia...

Blue-dash chargers, usually between about 25 and 35 cm in diameter with abstract, floral, religious, patriotic or topographical motifs, were produced in quantity by London and Bristol potters until the early 18th century. As they were kept for decoration on walls, dressers and side-tables, many have survived and they are well represented in museum collections.

One of the most popular decorations on the blue-dash charger was a representation of Adam and Eve with the serpent in the Garden of Eden, produced from the 1630s to the 1730s. "The challenge of rendering the anatomy of Adam and Eve was inescapable, and as the subject became more and more freely repeated by painters of less and less competence, most of the anatomy gave trouble, particularly Adam's abdominal muscles, which eventually became grotesque and could not be wholly covered by his fig-leaf." In later examples, "the images had declined to the level of coloured graffiti; Adam and Eve were cave dwellers, the Tree had become a mere cipher and only the serpent and the fruit proved simple enough to survive debasement."^[3]

Funnily enough it's the naive style I seem to be drawn to in these chargers, I'm becoming more and more inspired by folk art and the naive style as well as outsider art.